For richer or poorerNewsweek recently reported that the adult industry is unlikely to be worth as much money as many have claimed, especially now that the explosive growth of the Internet has triggered a sharp decline in revenues from DVD sales. Although actual figures are disputed, everyone at least seems to agree upon this market trend. According to Adult Video News (AVN), the US adult industry generated almost $13 billion in revenues in 2006, a 2.4% increase from 2005. While the sale and rental of adult DVDs remains the single largest market sector with sales in excess of $3.6 billion, representing 28% of the adult entertainment market (AVN), this sector still saw a 15% fall in revenues despite an overall increase in unit sales. Although this does suggest a strong prevailing demand for adult films, the rise of low cost Internet production companies has clearly squeezed the profit margins of the big film studios. For most of the established players, including Private, New Frontier Media, and Playboy (for whom financial figures are available, see inset), the pattern is one of slow or stagnant growth as emerging technologies help new players to capture an increasing market share. Whether or not you choose to take the published figures at face value, there is clear evidence for a vigorous transformation within the industry. |
A 34% growth in revenues from the distribution of adult movies via cable, satellite and hotel channels went some way towards compensating for the decline in revenues from DVD sales. Currently home and hotel movie channels contribute some $1.75 billion a year to the coffers of the adult industry. As was widely expected, the sale of adult content through Internet subscriptions and online downloads also showed strong growth, increasing to some 22% of the market, or around $2.8 billion. This strong upward trend reflects continued growth in the provision of broadband services as well as advancements in speed, bandwidth and technology.

Fox News recently challenged AVN’s estimates of the turnover for the adult industry, citing Steve Hirsch of Vivid Entertainment who stated that AVN is ‘exaggerating by seven-fold on DVD sales and rentals’, not to mention three-fold on revenues from video-on-demand (VOD) and pay-per-view. Vivid Entertainment, one of the most successful of all adult film studios, reported annual revenues in the region of $100 million for 2006. It might be noted though that the adult industry tends to be more conservative in reporting its earnings than those companies listed on the stock exchange, owing to its predominately private ownership. AVN continues to challenge the doubters, insisting that it will persevere in its attempts to put numbers to an industry that is otherwise generally camera shy. XBiz, a rival adult trade journal, estimates the earnings of the adult industry to be less than half those suggested by AVN. However, given that most adult businesses don't publish their figures and so no 'average' sales per film production are available, and also that modern productions are now released via DVD, cable, satellite, Internet and hotel networks, figures for unit sales have become increasingly hard to put numbers to. With the present trend towards vast numbers of online DVD sales and Internet downloads, any such estimates are bound to be somewhat gray. However, judging by the secrecy inherent within the adult industry and by the rule of thumb estimates being employed by most parties, it’s safer to say that all bets are off, and that the lady earns what the lady cares to admit to. There is however no doubt that the lady has grown rich and fat and is no mood to start singing yet.
As the popular appeal and sheer scale of the adult industry becomes increasingly apparent, so more and more individuals feel socially comfortable in admitting to viewing adult material. After all, a few thousand lonely old men in raincoats can't possibly sustain a multi-billion dollar industry. Slowly, the adult butterfly has emerged from its chrysalis, and the industry has gained a widespread, though grudging acceptance as America’s much admired and scorned mistress. Stars like Jenna Jameson and Traci Lords became household names, and Playboy, Vivid Video and the Spearmint Rhino have become iconic brands across Europe and America.
New found commercial ‘respectability’, a liberalization of social attitudes, and astronomical revenues have all conspired to whet the appetite of corporate investors. Any reference to 'adult' investments was once a taboo subject within boardrooms, although more recently it has become a buzz word for investor confidence. This sea change in the prevailing corporate mood comes barely a generation after the pogrom waged by the Reagan administration against the adult industry. Until now, society’s dark view of pornography had made even the most lucrative commercial opportunities the preserve of anonymous private investors. For instance, Friend Finder, a social networking pioneer which earns in excess of $200 million a year, found that their attempts to attract investment met with a cold reception once the primary source of their revenues was revealed to be their Adult Friend Finder service. Until recently, the shares of only a few adult entertainment companies were traded on stock markets, accounting for less than 0.5% of the adult industry’s turnover.
The past decade has borne witness to a renaissance within the adult industry, during which time it has emerged from the shadows to become widely regarded as the driving pioneer of IT. Accordingly, the adult industry has been enjoying a financial spring of late, with a marked thaw in corporate investor relations. Several leading Wall Street investors have since specialized within adult finance. Former hedge fund manager Francis Koenig founded AdultVest in 2005, and his concern has since evolved to become the leading investment bank within the adult industry. With the advent of corporate finance will come corporate accountability, and finally the true financial scale of the adult industry should be revealed. Bringing corporate know-how and the economy of scale to traditionally small adult companies means that Beverley Hills-based AdultVest will likely increase both turnover and margins within the industry. By introducing mainstream distribution networks and marketing strategies to small producers, such companies may become profitable through the development of partnerships with established brand name distributors. Further, by merging several smaller complementary businesses, AdultVest aims to create larger companies which will prove more attractive to major investors.
AdultVest have successfully attracted more than two thousand accredited investors to register for their 2007 global conference tour, offering a range of potential investments from small start-ups to multi-national concerns. Given that two-thirds of their registered investors are looking to commit between $100,000 and $5 million per company, and that several large hedge funds with hundreds of millions of dollars to invest have come aboard, there is definitely a new gold rush heading towards the hills and valleys of California. If you are seeking a single statistic that defines the demographics of the adult industry, it is perhaps that no single interest owns more than 1% of the total market. Therefore, if Vivid alone have ‘declared’ revenues of $100 million a year, then the combined turnover of the US adult industry must be in excess of $10 billion. As AdultVest brings more major investors to the table, so the days of the traditional small production company would appear to be numbered.
However, many hedge funds represent broad interests, and institutional investors such as university endowments are conscious not only of their reputations but also of how difficult it may prove to sell their shares on with anonymity. Such calculations, despite the adult industry’s proven resistance to recession, suggest that investors will come to expect far higher returns for their risk. However, given that the digital era is ushering in new low cost, high margin distribution models, including services for mobile phones, broadband TV and hotel pay-per-view, and given the reduced threat of competition for investment opportunities from image conscious hedge funds, the high reward-to-risk ratio may well be enticing shy investors from the shadows. In some cases, direct association with the adult industry may be avoided altogether by ensuring that revenues from the distribution of adult services represent only a small, unheralded component of operations. This is a strategy which has been used successfully by a number of corporations including Orange, Yahoo, Lodgenet and AT&T.
There has been a rapid and sustained rise in the number of adult titles being released every year, and these figures do not include either glamour or ‘soft-core’ titles. Falling costs of production and distribution, and the advent of viral marketing strategies underlie this trend, leading in turn to the appearance of more small-scale production studios. Where there is an increased supply, it follows that there must be an increased inward investment to cover the necessary production, recruitment and distribution costs. Although there appears to be no imminent sign of a collapse within the content production sector, the abundance of free adult video available on the Internet has led many to speculate that the content production sector has become ‘super-saturated’. Whether or not sufficient demand exists to maintain this level of production remains to be seen. However, one key market indicator is that the industry is now increasingly orientated towards the production of ‘niche’ content to cater for exotic and extreme tastes. The provision of such niche content becomes increasingly viable as a market grows and consumer appetites become more refined.
According to many, the Internet remains the most profitable market sector within the adult industry. Vivid Entertainment presently derives some $30 million (30%) of all its revenues from Internet-based services. With the arrival of VOD and Broadband TV, this market sector looks set for continued growth as broadband technology continues to drive down distribution costs. As the barriers to market entry are further reduced, so many emerging production companies, which are often run by established adult film stars, are currently returning a healthy profit from a largely Internet-based audience.
Hollywood has not been alone in noting a steady decline in DVD sales. This medium has proved to be a lucrative source of revenues for the adult industry over the past decade. According to AVN, expenditure on adult DVDs has fallen by over 15% to $3.6bn over the past twelve months as hard drives and flash keys have replaced DVDs as the storage medium of choice for adult libraries. Some estimates put the figure at closer to 30%. This has caused widespread concern across the industry, as no company wants to be caught holding a stockpile of unwanted DVDs. Fearing negative equity and heavy losses, some adult DVD companies are cutting their production costs, whilst others are seeking alternative distribution and marketing channels. However on this occasion, unlike the decline of VHS video in the nineties, there has been a quantum shift in market behavior from fixed storage media such as DVDs to rewritable, higher capacity storage media such as computer hard drives and portable flash keys. Adult media are now universally available in digital format via the Internet, satellite, cable and broadband TV, and this has made the genre more accessible, more discrete and more ‘portable’. While this may fuel fears of increased piracy, in reality it costs the consumer little more in terms of time and money to pay to download a movie from the Internet than it does to obtain illegal copies. Although there will always be a demand for high quality recordings with glossy packaging, this sector will prove more expensive to the consumer as the cost of production of the new generation of Blu-Ray and HD DVD movies increases and unit sales continue to fall.
While there is a prevailing argument that the provision of free content on the Internet leads to a smaller yield of paying subscribers, it should be noted that this has been paralleled by a rise in the total number of adult consumers on the Internet. Indirectly such ‘passive consumption’ fuels the growing cult of adult film celebrities, with associated increases in secondary revenues from merchandising, magazine sales, advertising and paid attendances of adult industry ‘events’ at conventions and strip clubs. Vivid, Wicked and other leading production companies are using an emerging market of VOD distributors, including Virgin Media, Sky-BSB, Lodgenet, in addition to mobile phone service providers for the release and distribution of new adult titles, and are also preparing to release films in high-definition (HD) format for those who want the total experience of wide screen TV. On the other hand, companies like the Hustler Video Group are instead focusing upon VOD and the Internet for the release of their new titles, with some new content being recorded exclusively for the web.
There are those who remain convinced that the provision of free adult downloads on the Internet threatens their industry, especially those companies who do not enjoy the Hollywood production budgets of Vivid or Wicked. Whilst there may be an abundance of free clips available on the Internet, this does not alter the economics of ‘leads’ and sales, even if only a tiny fraction of those who ‘sample’ actually buy. Equally this does not diminish the impact of these loss leading samples upon brand awareness, market share, or the popularity of the adult film stars featured within them. The deluge of free adult material available on the Internet may in effect serve to drive a schism between ‘big budget’ productions such as Pirates, much favored by hotel chains and broadcasting networks, and low budget ‘niche’ content which will increasingly come to dominate the Internet sector.
Although the $3.4 million rise in Internet-based revenues in 2006 does not immediately appear to counterbalance a $6.6 million decline in DVD sales and rentals, this comparison conveniently overlooks increased spending within other market sectors including VOD, pay-per-view, subscriptions, and mobile phone content. The sharp decline in revenues from DVD sales is not exclusively due to an explosion of free adult clips on the Internet, any more than an abundance of low quality pirated copies of a film would infer that people with money would be unwilling to pay for high quality originals. A sum of $20 to $50 may seem a high price to pay for an adult DVD, but such expenditures merely occupy disposable time and income which are often set aside for leisure and entertainment. Besides, a pay-per-view listing or an adult movie is often no more expensive than a mainstream film or video game, and is seen by some consumers as time and money equally well spent. Many of those who might watch a DVD of a Hollywood film only once or twice may watch a favorite adult film half a dozen times, creating an indirect saving. Further, many consumers of adult material are wealthy professionals who simply do not have the time to randomly surf the Internet and download free adult movies. Such urban professionals demand a high quality product to make the most of their limited leisure time. There are always consumers who will pay a premium for a high quality product. This means that those studios which embrace new technologies, employ the most attractive film stars, and maintain a brand confidence will continue to prosper.
In any given market sector, those who can't afford to pay won't, whether or not the medium is made freely available. Another factor to be considered is that a fall in revenues from domestic DVD sales conveniently ignores any increase in imports from European, Asian or Australian producers. It is also misleading to focus upon falling revenues while margins are rising. Web cams and new Internet distribution technologies have led to lower unit production costs and greater profit margins, despite decreases in average unit price. Given that unit sales are generally increasing, overall profits may be up despite a decline in turnover. With vast production budgets, more experienced production crews and advancing technologies, adult film threatens to break into a mainstream market which has until now resisted a genre that has been dominated by low quality productions. The future is bright, the future is adult.